Transactional Seeing and Becoming Flesh: Repurposing Militarized Vision in Jordan Crandall's Heatseeking,
China Mendel, Third Text, vol 30 (5-6), 2016
Toward a Practice of Observation,
Anne Zeitz, HYBRID #3, 2016
Feed Forward,
Mark Hansen, Univ of Chicago Press, 2015, 251-270
Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics after Code,
Carolyn L. Kane, Univ of Chicago Press, 2015, 232-240
A Defence of Daylight,
Fabienne Collignon, Review of "Virilio and Visual Culture"
Parallax, Vol. 20: Issue 4, Oct 2014. pp. 396-398.
“Military Vision" and "Control Room,"
Military Vision (catalogue),Baden Pailthorpe and Kyle Weise
Screen Space, Melbourne, pp. 9-11, 23-31
Military Vision
Maura Edmond, Time Out Melbourne, April 2013, p. 38.
Military Vision
Dan Golding, Kill Your Darlings, May 9, 2013.
Military Vision
Zac Millner-Cretney, Concrete Playground, April 2013.
Use of Drones Raises Questions
Inga Kiderra, UCSD NewsCenter, June 13, 2013
Top Ten,
Arthur & Marilouise Kroker, Artforum, Jan 2013
Drones at Home,
Gallery talk for Unmanned Workshop, Gallery@Calit2, UC San Diego, 11 Oct 2012
Unmanned
V2_Rotterdam, 14-16 Sept 2012
Ecology Without Nature: A Reading of "Hotel,"
Tim Morton, June 2012
Performative lecture
Observatoire des nouveaux médias, l’École nationale supérieure des Arts Décoratifs et de l’Université Paris 8, 23 Nov 2011
french/english (scroll down to bottom)
Presentation at Designing Geopolitics,
Center for Design and Geopolitics, Calit2, UC San Diego, 2-3 June 2011
Performative lecture
Transmediale, Berlin, 3 Feb 2011
Vilem Flusser Theory Award
Introduction to panel at Calit2 Gallery,
12 April 2010
Lecture at Cornell University,
March 2010
Lecture at Critical Digital Studies Workshop,
Summer 2009
Lecture at Rensselaer Polytechnic Institute,
17 Sept 2008
Unmanned Systems as Assemblages,
Software Studies Conference, UCSD, June 2008
Digital Universe
Holly Willis, LA Weekly, Oct 2005
Trigger, catalog text for MARS Kunst und Kreg,
Neue Galerie Graz am Landesmuseum Joanneum, 2002
Jordan Crandall: Art and the Cinematographic Experience in the Age of Panoptic Data Processing
Peter Weibel, August 2002
english
Drive, Track 3
review by Guy Amado, Paco das Artes, Sao Paulo, July 2002
Heatseeking and Drive
review by Sabine Himmelsbach, CTRL SPACE, ZKM Karlshrue, 2002
Heatseeking
review by Micol de Pas, L'Uomo Vogue, Feb 2002
Heatseeking
review by Terca-feira, Sao Paulo, Feb 2002
Drive
review by Jean-Jacques Passera, Centre d'Art Contemporain de Basse-Normandie
Heatseeking
review by Sjoukje van der Muelen, World Wide Video Festival, Amsterdam
Heatseeking
review by David Womack, C Magazine, summer 2001
Heatseeking
review by Monica de la Torre, Artnews, May 2001
Heatseeking
inSITE2000, San Diego/Tijuana, 13 Oct 2000 - 25 Feb 2001
Jordan Crandall: Driving Images
Brian Holmes, Parachute Oct-Dec 2000
Drive
Museo de Arte Carillo Gil, 2000
spanish (by Gonzalo Ortega)
spanish (by Pedro Reyes)
spanish (from ulalupa.com.mx)
spanish (from La Jornada)
spanish (by Enrique Jezik)
spanish (by Miriam Mabel Martínez)
Drive
Studio Voice, Tokyo, June 2000
Drive
ARTLAB, Tokyo, May 2000
Drive
Pia, Tokyo, May 2000
Drive
Yukiko Shikata, ARTLAB, Tokyo, May 2000
pdf (japanese & english)
Drive
Peter Weibel, Neue Galerie am Landesmuseum Joanneum, Jan-Mar 2000
Drive
der Standard, 2000
Drive
die Presse, 2000
Drive
Zeitung, 2000
Drive
at Neue Galerie am Landesmuseum Joanneum, Graz, 28 Jan - 12 Mar 2000
Drive
ARTLAB-Prospect4, Spiral Gallery, Tokyo, 17-28 May 2000
Drive
PS1, by Casey Rubel, 2000
Drive
Sandra Gering Gallery, 1999 by Adnan Ashraf in Artbyte
Drive
Sandra Gering Gallery, 1998-1999 by Ken Goldberg in Rhizome
Drive
Sandra Gering Gallery, 1998-1999 by Nancy Princenthal in Art in America
Drive
Sandra Gering Gallery, 1998-1999 by Janine Gordon in The Thing
Drive
Sandra Gering Gallery, 22 Oct - 28 Nov 1998
Suspension (Documenta X)
video documentation
english/french (scroll down page)
Suspension (Documenta X)
1997 shortguide text by Suzanne Prinz
pdf (english & german)
Suspension (Documenta X)
1997 review by Susanne Lanterman
Jordan Crandall
response to Donald Kuspit, 1997
Suspension
documenta X, summer 1997
track 1
view
view