In the coming weeks, underfire will launch into its analyses, queries, interventions, polemics. Challenges and critiques. Retorts and rebukes. Participants will throw around words and expressions like these – without the quotation marks (which is the very downfall of their argument: keep the marks there!): “the West”, “the Islamic World”, “the Middle East”, and a whole parade of others. There will be plenty adjectivised versions of human entities, there will be acquiescence to dominant conceptual frameworks, there will be plenty of free marketing and advertising for a whole bunch of systems of belief or movements by continuous discussion of their pretty dismissable tenets and foundations. Landmasses and geographical bodies will bear the names given to them by their most recent conquerors, and folks will be “writing” with much evocation of the various rights and wrongs in/of nation states and systems.
I, prelude-man, in this my soliloquy, in the prelude not just to underfire but to the Manifestoes, would like nothing more than to give myself the right, I, Parsa The First, Parsa I, ushering in the Death of my Authorial Self and the Sacrificing of my Literature for the Purpose of the Clear Communication of Ideas, to just outlaw some these practices and lay down the laws, oh yes that would be sweet, lay down the Laws Governing the Discussions. That, though, is just not my style! And so in lieu of that, I want to share with all of you a totally stunning but real scene that I experienced a few months ago in what we would call a war zone.
Truly an unforgettable spectacle, an intervention of the most flabbergasting kind – the one that lets you not only not forget it, but lets you not go on without an examination of your practices, especially those that have to do with the use of words, and of writing in general. It was in a geographical region that shall go unnamed – it doesn’t really make any difference, as you’ll see. I did chance upon the scene as I was just snooping around, my freelance self. After the witnessing, I ran to my hidden abode and just put some notes down in a, well, notebook. I wrote it in the present tense, to capture its immediacy. I want to just relay those notes, without embellishment. Just to set the scene: this was a pretty much ruined part of town, ashes, burnt-out components of a whole variety of objects (and perhaps people), devastation, utter numbness on the part of anyone who would venture those ways. You could occasionally hear rockets, gunfire, rounds, somewhere out there, hopefully far from where you were. No downpour of bombs, not again, not yet. And so the quick venturing out, and then the quick venturing back. Armed conflict: its very presence, its traces, its din, its horror, its stench. I am not, forgetting that underfire is all about armed conflict. Again, this is a true story – and I urge all to ponder its many layers of meanings and challenges to any scriptoral practice.
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