Stage zone. Compositional process of upholding theatrical conventions -- spacetime, character constructs, storytelling procedures.
Tones and atmospheres of expectation.
Rhythms, codes, and sensations are transmitted/absorbed,
dynamically constrained/converged/accumulated in an
<actor> at chair + table
who assumes a dispositional stance of //relaxed poise, curious and ready to engage//
which corresponds/diverges with >>the dynamic agential roles of patron, surveiller, analyzer, & narrator >>
++the delivery is functional++
yet it also involves==skillful, performative collaboration among these roles, & between performer & environment==
ACTOR1 as <patron><surveiller><analyzer>
Cafe zone. Compositional process of conversation by people sitting about. Warm, relaxing atmosphere. The rhythms and sensations of the room are transmitted and absorbed, dynamically constrained/corresponded/converged/accumulated in these gatherings:
<patron>//sitting in chair, table at window/relaxed/curious//>>casual spectator of passersby outside>>++dwelling, drinking, observing++
<sound> misc cafe actors in background, apparent through clanking of cups; soft conversation; shuffling; misc service activity
<lighting>reflecting changing interior movements in cafe, but also street activity (reflections of moving cars etc) through glass window
<image>functional projection of patron's pov, watching streetgoers through window
Monitoring/Analyzing zone. (also written as control room.) Process of surveying -- filtering, stabilizing, & relating data in standardized organizational structures. Analytical categories, standards, and procedures. Atmosphere of vigilance. Rhythms and sensations are dynamically constrained/converged/accumulated in
<surveiller>//sitting at window/attentive/curious//>>scanning passersby on street outside>>++surveying, searching correspondences++
//studiously//parsing analytical objects from afar++analyzing, searching correspondences++
ACTOR2 as <narrator><surveiller><analyzer>
Narration zone. Storytelling conventions used to describe the above. Rhythms & sensations are constrained/accumulated in these gatherings:
<narrator>//sitting onstage as at window/responsible/attentive//>>speaking about surveiller in the 3rd person as a figure,
yet converging/diverging with this role of surveiller/figure at times, and temporarily corresponding to it in 1st person>>
++describing; hanging, drinking; surveying++==skillful collaboration between these 'experts'; dwelling together==
Narration/Analysis zone. Rhythms & sensations constrained/accumulated in:
<narrator/analyzer>//sitting onstage as at window/responsible/attentive//>>speaking about surveiller in the 3rd person as an analytical object, yet converging close to this role of surveiller/object at times, and temporarily corresponding to it in 1st person>>
++describing; hanging, surveying; analyzing++==skillful collaboration between these 'experts'; dwelling together==
ACTORS3 as <passersby>, specifically instantiated in <oldman>
Street zone. Varied pacings and flows, shopping, commuting, strolling. Urban textures. Stand-in for larger urban constructs.
Rhythms & sensations are transmitted/absorbed; they are dynamically constrained/corresponded/converged/accumulated in gatherings of
<passersby>++maneuvering, commuting, socializing++
<image> generalized streetview through window